 KINO FLO
Kinoflo is the worlds leading lighting manufacturer dedicated to the design and manufacture of unique fluorescent lighting systems for motion picture, TV and commercial productions. These versatile fixtures and propriety true match® full spectrum lamps have distinguished Kinoflo as the leading designers of creative lighting solutions. Read more...
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Single, double and 4 bank fixtures
The workhorses of Studio and location lighting. These fixture offer beautiful soft lighting solutions.
Available in:
Industry Standard 2ft (69cm) and 4ft (132cm) EF systems.
and 6ft (186.5cm ) and 8ft (246.5cm) Mega Systems
A range Truematch® tubes, uniquely formulated by Kinoflo i to match the spectral sensitivity of film and digital imaging (equipment is available for all these fixtures
Technical specs:
4 bank, Double and Single systems: Read more...
Mega systems: Read more...
Kits: Read more...
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The Divalite® 400 and 200
From ENG crews to Video location work, these fixtures have fast become the industry's most popular professional portable soft lighting tool. Read more...
Various kits are available to suit individual requirements. Read more... |
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Kamio Ring-Lights
Kamio Ring-Lights provide a glamour lighting solution for close ups in film and video photography. The soft, cool Kamio light falls gracefully on the subject's face because it mounts on the lens, unlike conventional on-camera quartz lights that produce heat and shadows. Kamio's
also display daylight and tungsten quality light without filtration.
Four different Kamio Kits are available. Read more... |
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Kinoflo Flathead 80 |
The Flathead is an eight tube 4ft fixture offering beautiful soft lighting solutions. Utilizing the same EF ballast as the standard 4 bank systems, It's the perfect addition to any lighting package.
The Flathead utilizes the same 4 bank (x2) ballasts as the standard 4 bank systems Technical specs : Read more... |
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| The Kinoflo Image DMX line of soft lights are very popular with studio designers producing a soft near shadowless display of daylite or tungsten light. These fixtures come standard with built in DMX control. Read more... |
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The ParaZip
The ParaZip 400 and 200 DMX controllable luminaires complement the expanding line of Kino fixtures for television broadcast studios. The sleek ParaZips display a wide, soft beam of incandescent or daylight quality light (CRI 95) that can be dimmed up or down. The ParaZip 400 has switching and dimming controls, the ParaZip 200 features dimming only. Read more...
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The ParaBeam
The ParaBeam 400 and 200 DMX controllable studio fixtures display about the same amount of soft light as a 2,OOOWatt and l,OOOWatt tungsten light, respectively. But ParaBeams only use l/10th as much power! Both studio lights take Kino Flo True Match® high color rendering lamps (CRI 95). The soft beam actually can be focused for a wide variety of set lighting looks, from lighting four people across a news desk to spotting down to a single subject. Read more... |
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VistaBeam®
New! Kino Flo's VistaBeam® 600 and 300 will change the way our industry lights film and television studios. A VistaBeam 600, for example, delivers the equivalent of a 4,000 Watt Softlight, but uses only nine Amps of power. Both fixtures have a DMX control system and the ability to produce daylight or tungsten balanced light from the same fixture. Read more...
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